Cambridge Patterns, Etches, and Shapes

Apple Blossom- (1930s)(Amber, Amethyst, Crystal, Crystal with Ebony stem, Light Emerald, Dark Emerald, Gold Krystol, Heatherbloom, Peach Blo, Royal Blue, Willow Blue) One of the most beautiful etched patterns that Cambridge produced. This lovely pattern is highly prized and very hard to find. Colored Apple Blossom is hard to find. Yellow console bowls, and candlesticks are among the easiest colored pieces to find. For a larger picture of this pattern please click on the picture to the left.

Candlelight (1940s -Early 1950s) (Crystal, Crystal/Gold, Crown Tuscan/Gold )-

Candlelight is a beautiful pattern that can be found on many Cambridge blanks. This pattern is aptly named after the glowing candlestick found in a medallion in the center of the pattern. Almost 200 different pieces can be found with the Candlelight etch, which may explain its popularity today. Although hard to find and sought after by many, putting a set of this lovely pattern together is worth the extra effort.

Chantilly (1930-Mid 50s) (Crystal, Ebony)- Chantilly was popular pattern during its production and can be found on many Cambridge blanks. This complete dinnerware service is commonly found adorned with sterling silver bases, stoppers, and edges. This pattern was applied to many of the Cambridge blanks, so a variety of pieces can be obtained to allow a collector to put together a small luncheon set, or an enormous dinnerware service with multiple serving pieces. This beautiful set is sometimes more reasonably priced then Rosepoint and just as pretty.

Diane- (1934-50s)(Amber, Blue, Crown Tuscan/ Gold Decoration, Crystal, Emerald Green, Heatherbloom, Pink, Yellow) Diane is another pattern that is found on several Cambridge blanks. This is a predominately crystal pattern, but can on occasion be found in colors. This pattern is often confused with Rosepoint. Diane has one bordered flower. The Rosepoint pattern has three flowers which are bordered by a similar design.

Decagon- (1930-40s)(Amber, Amethyst, Ebony, Emerald Green, Peach-Blo (pink), Carmen (Red), Royal Blue, Willow Blue) This is one of Cambridge's most sought after blanks. This simple Deco design attracts many collectors today. The array of colors, and the availability of many pieces explains Decagon's popularity. The Decagon blank was used for many of Cambridge's etched dinnerware patterns, but most Decagon collectors prefer the unadorned blanks to those with decoration.

Elaine- (1934-50s)(Crystal) This enormous pattern had a long production period due to its popularity. As a result this pattern is plentiful and fun to collect. Hard to find pieces include pitchers, dinner plates, and many of the candy dishes.

Gloria (1930s) (Amber, Blue, Crystal, Ebony/ Silver Trim, Emerald Green, Green , Heatherbloom,Peach-Blo (pink), Yellow - Gloria is one of Cambridge's more popular colored, etched, patterns. This pretty pattern (often confused with Apple Blossom), came in a array of colors, and is displayed on many Cambridge pieces. This pattern is most easily found in yellow.

Peacock #736 (1930s) This stunning etching which features a peacock among foliage is one of Cambridge's more elusive etchings. This etching has been found on both crystal and ebony (black), but I would not be surprised to see it on other colors as well. The vase shown in the thumbnail is the #782-8 1/2" vase. The Peacock etch has been found on this shape vase as well as on several others. We are not aware of any dinnerware that has been found with this etching. Perhaps this etch was too similar to Paden City's Peacock etchings for Cambridge to continue producing it.

Portia- (1932- Early 50s) (Amber, Carmen, Crystal, Crown Tuscan, Green, Yellow) Portia is a lovely etched pattern with a basket design. Although fewer pieces are listed in the current Elegant Glass books, most pieces found in Rosepoint can be found in Portia. This was a very popular pattern during the 40s and 50s and will be sure to keep a collector busy trying to put the entire set together.

Rosalie, #731 (Late 20s Early 30s) (Amber, Bluebell, Carmen, Crystal, Ebony, Emerald Green, Heatherbloom,Peach-Blo (pink), Topaz (yellow), Willow Blue - This beautiful delicately etched pattern of roses in a stylized configuration just screams DECO. This striking pattern is a full dinnerware service and comes with plenty of accessories and serving pieces. The pattern was not produced for a long time and is difficult to find, but when you complete set in this pattern the lovely display proves it was worth the effort. Green, and amber are the easiest colors to find. Blue is somwhat more difficult and the other colors are seldom seen. These harder to acquire colors could be purchased as accent pieces. Trying to complete a set in these colors would be almost impossible.

Rosepoint- (1936-1953)( Amber,Crystal, Crystal/Ebony, Carmem (red), Gold Decorated ) Rosepoint was produced by The Cambridge Glass Company. This pattern has been found on most Cambridge blanks, and shapes. Rosepoint was most popular etched pattern that Cambridge produced., and it is today the most collected Cambridge etched pattern. Rosepoint is most often found in crystal, but can rarely be found in colors.

Other Cambridge Rosepoint Pieces

Statuesque (#3011 Line) (1920s-30s)(Bowls and Tops can be found in: (Amber, Amethyst, Carmen(ruby), Crystal, Crystal Etched, Crystal Frosted, Ebony, Emerald, Forest Green, Gold Krystol, Heatherbloom, LaRosa, Mandarin Gold, Mocha, Moonlight Blue, Royal Blue, Smoke, Pink, Pistachio, Topaz, Crown Tuscan (ususally with Crown Tuscan bases), and Windsor Blue). These stems can sometimes be found with a crackle finish. Most of the crackle stemware is rare and demands a very high price. The stems are found in: (Crystal, Crystal Frosted, Crown Tuscan, Windsor Blue (with Windsor Blue tops), and Ebony.

The Statuesque #3011 Line is perhaps the most sought after stemware made by Cambridge. This pretty nude stem is used on various sizes of stemware as well as on compotes, candies, cigarette jars, ivy balls, and vases. The colors produced are almost unlimited. If Cambridge produced the color there is chance that you will find some pieces of Statueque in that color. Statuesque stems vary in price, from about $125.00 to $2500.00 a stem. Price depends on size, color, and the number of pieces available.

For a More Complete Listing of the #3011 Line Please Click on this Link.

Tally Ho (1920s-30s)(Amber, Amethyst, Carmen(ruby), Crystal, Crystal Frosted, Forest Green, Royal Blue, and some Ivory) Tally Ho was a large pattern that came in transparent colors and rarely in some opaque colors. Tally Ho has over 20 different bowls. This pattern has at least 3 decanters and enough stemware to keep you collecting for the rest of your life. The listing is extensive. As large as the listings are in the elegant glasswware books there are still items unlisted. The two most collected colors are Carmen and Royal Blue (cobalt). These colors are closely followed by Amethyst, and Forest Green. This pretty pattern is a real challenge to collect, but a lot of fun to own and well worth the effort.

Valencia (1930s)(Crystal, Gold Decorated)

Valencia was a pretty late 1930s pattern which features a pretty square netting with floral arrangements, wreaths, and bows. It is a very busy pattern with a graceful ambiance. This pattern can be found in crystal with gold encrusting. Valencia is not easily found, but a large setting can be collected. It is well worth the hunt.

Wildflower- (1940s-50s)(Amber, Crytal, Ebony/Gold, Emerald Green) Wildflower was one of The Cambridge Glass Company's more extensive patterns. As a result this pattern is one of the most popular that Cambridge produced. This pattern came predominately in crystal but can be found in other colors. It is found on most Cambridge blanks. Many collectors choose to collect a small set of this pattern because to collect a full set is quite expensive. Showing off a complete collection in this pattern is quite impressive.

Cambridge Shapes

The # 1318 large urn has been found in many of the Cambridge colors and occasionly with one of Cambridge's early etchings. This shape is very hard to find and would be considered Scarce to Rare. The large key hole base and wide shaped top made these urns easy to damage. Few collectors have more then one of these beautiful urns in their collection.

#65- Doric Column Candlesticks. This fantastic candlestick shape was introduced by the Cambridge Glass Company in 1922. These candles were only made for a few years. They came in many of Cambridge's early colors and can be found with and without gold trim. The large column style shape makes them the perfect selection to grace a mantel or large dining table.